THIS ISSUE’S VERSE: In his work, which we are once again proud to feature here, Martin Levinson explores the relationship between new class identities, counter-terrorism, feng shui, and time management. With influences as diverse as Martha Stewart and Cookie Monster, Jessica L. Kleinman explores the relationship between the tyranny of intertextuality and Nicomachean Ethics. By studying sign processes, signification, and communication, Katharine Showalter gifts us with a poem that allows one to view the world in context of a post-gender, socially mediated age and its arrival as one of a multitude of paradigms. Ever contemplative, Brian Bilston questions the conditions of appearance of an image in the context of contemporary visual culture in which images, representations, and ideas normally function regarding human sexual identity. Similarly, Hart Seely‘s work illustrates a historic breakthrough technically and compositionally. What begins as triumph soon becomes corroded into a cacophony of hopelessness and futility when Richard Cairo sheds light on a post-moral landscape that embodies the failed moral sophistication of populism. Tracey Gratch sharply defines a stunning moment in literary tradition based strictly on a jaundiced cynicism, harkening back to a commentary on trends in modern self-absorption. Blake Austin displays new variations generated from both constructed and deconstructed notion of immortality. Meanwhile, Dustin Michael writes with admirable clarity and concision on a subject of extreme complexity, understood only by advanced cultures not just undiscovered but as yet unborne. And, finally, Daniel P. Coghlan‘s piece attempts to assail the broadest and most metaphysically significant questions of human existence, allowing his work to become a mirror into which readers do not merely look, but become a part. This issue’s headline taken from “Miami 2017″ by William Joel.
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